The Argentine singer and pianist proposes in her first solist album Desde mí misma a dialog with an extraordinary dynamics between the voice and piano.
María provides a solid and powerful artistic identity to her work with a great deal of interpretative power in a solo set album, resulting from the most intimate influences of her exploration on both the piano and her voice itself- a distinctive hallmark through which she deploys her authenticity and highest potential of her musical talent.
These are tangos with a personal view on the works of such representative writers and composers as Contursi and Dames, Gardel and Le Pera, Cadícamo and Cobián,
the Expósito brothers, Manzi and Piana among others.
“A most personal piano and voice work and very much in the style of Diana Krall”
[Alta Aerolíneas Argentinas Magazine].
“The crucial voice: María Elía takes a deep breath in her album “Desde mí Misma” along with her piano and voice embarking on a moving journey through some classic tangos”
[Web site Fractura expuesta].
“A great album which walks off the usual beaten track performing with extraordinary singing attitudes” Jorge García [web site El Amante].
“María Elía’s debut record results in minimalism, her voice has the personal color and presence of a major orchestra and other intimate versions offered to the listener with a feeling of
authentic complicity” Daniel Hoffer [Hecho en Buenos Aires Magazine].
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